Saturday, October 5, 2019

Genetic and society Article Example | Topics and Well Written Essays - 250 words

Genetic and society - Article Example It benefits processors and farmers because its bruise resistance making it financially cost effective. The cons of innate potatoes are that, some researchers think that, though approved the technology is not regulated adequately as the methods used to suppress the genes are not well comprehended. Some of the substances important to the crop for pest protection and nitrogen use are also being suppressed. Consumers, restaurants and food companies have expressed health concerns by rejecting such crops for it may cause cancer. Simplot Company engineering the potato says the potato has genes such as bacteria and promises of its health benefits (Pollack, para.1-3, 9). In conclusion, the innate potato has both economic and health effects. The approval of this potato by the national potato Council has reservations. The food industry had been advised to reduce acrylamide levels by the F.D.A by issuing a guideline on potato handling from farm to cooking. Undoubtedly, many companies have adopted this measure and do not need the genetically engineered

Friday, October 4, 2019

Curriculum Based Assessment Research Paper Example | Topics and Well Written Essays - 3000 words

Curriculum Based Assessment - Research Paper Example The research sought to establish the possibility of developing a formative assessment system. Teachers could use this system to grow their effectiveness in teaching learners with academic disabilities. Eventually, a comparative study showed that teachers were more effective on using this formative model. In this regard, the validity criteria and conventional credibility in writings, expressions, and spellings were emphasized. There were three key questions addressed in creating a curriculum based assessment procedures. This included the mode of structuring the activities of evaluation in order to produce adequate data, the parameters of measuring the results, and the possibility of using the data to grow educational programs (Stecker & Fuchs, 2000, P.130). These questions were answered using a systematic evaluation of three major issues relevant to each of the measures. The logistical feasibility of the measures and treatment of utility or validity of the measures were technically ev aluated. The procedures for developing the assessment have been specified and will be briefly discussed. Definition Curriculum is the content that is organized for delivery to students. It is done with respect to sequence and scope of methods and materials by intended learning results (Lemons et al, 2013, p.450). Curriculum based assessment is a term that is used to refer to school based assessment that evaluates student performance in accordance to what is being taught. Curriculum based test measures the functioning of student in relation to knowledge and skills as outlined in the curriculum. It is noteworthy that the curriculum-based measurement measures the progress and competency of a student in the basic areas of skill such as... This essay approves that curriculum based assessment is an approach to measuring the educational growth of each student. The main objective of the curriculum-based assessment is to assist teachers in testing the effectiveness of the lessons offer to individual students. Curriculum based assessment has both advantages and disadvantages. They are efficient and economical in that most of the important characteristics that are used in developing curriculum based measurement procedures are within the context of the ongoing instructions. This report makes a conclusion that the results of CBM research have provided a ground for developing standardized procedures of measurement used to evaluate the effects of modifying the students’ instructional program. A research on the student’s achievement effects on teachers of special education using these procedures proved that the effectiveness of instruction could be improved by the use of CBM in formative evaluation. The assessment of CBM focuses mainly on reading and math as a basic skill. The broad focus is on the measurement areas, basic skills, behavior and others. The basic skills of reading, spelling, math, written expression and critical thinking skills are assessed. Curriculum based assessment procedures focus majorly on special education planning and development. It is evident that response to intervention is nowadays common. This improves teaching and learning with regard to the effective component of RTI that requires particular attention from admini strators.

Thursday, October 3, 2019

Its Always Good To Tell The Truth Essay Example for Free

Its Always Good To Tell The Truth Essay Life is full of deception in assorted forms, ranging from the magic shows for recreational purpose to strategic consideration in wars of ancient times.As a result, some people may take telling a lie as granted due to its commonity. However, i vote for the confession as the most significant trait when it comes to handle people since keeping the truth bridges a good relationship within them by creating more senses of integrity and honesty which are core values and foundation in the relationship development. First, always showing the genuine side towards your family members can help us to build a healthy and merry family, especially given the children adoption. In the family, if the children are lied and cheated by parents-the closet people in their world, even for some minor staffs, they are more likely to feel distrust and unloved by their parents afterwards. In the long term, they may refuse to listen to the parents any more,even worse, they may hate and imitate parents to lie as well which create an intense relationship within the family. According to the statistic, most of the adolescent problems such as drug and smoke abuse, young crime commitment like steal and robbery are the results of such bad family relationship. Thereby, always acknowledging the truth amounts to the display of love and respect towards family members which correspondingly contributes to a happy ending. Secondly, always behaving honesty instead of being too adulated and sophisticated towards friends and colleges also brings us advantages more than we realized. Whether were in the universities and working in the companies, being frank surely help us build a trustworthy image in the public that in turn benefits in varieties ways: were likely to make more new friends due to the integrity we show, were likely to get more recognision from boss and advance our career because of our fair -mind towards all the faked and unjustified work, were likely to empowered more confidence and courage handling difficulties as we will become more upfront and loyal towards ourselves to respect the truth. These are the wealth beyond our realization brought by truth if we pursue and stick to. Admittedly, lying might avoid people from getting hurt or embarrassed in some  degree. For example, we might say the girl is still pretty even shes fat to protect her pride. However, humans are not weak, in fact the protection we regard works nothing to the girl except the lies, she may continue to get fatty since no one reminds or suggests her take exercises to lose weight. Lies even with good intention safeguard nothing but the continuity of tragedy. To summarize, no legacy is so rich as honesty and truth, which worth our whole life to pursue and defend whatever relationship were engaged in between people.

Monomania Psychology Analysis: Ideal Ego and Ego Ideal

Monomania Psychology Analysis: Ideal Ego and Ego Ideal Abstract: This paper Moby Dick: Obsession, Evil and the Passion of Ignorance, argues that monomania is a passion of ignorance. It contends that this passion of ignorance is situated precisely between the ideal ego and the ego ideal. The ideal ego is the fantasy an individual has of themselves, a narcissistic illusion of completeness. It is a representation based on an image of the self fixed at the infantile period. The ego ideal is the goal of a process, a movement towards an idealized self based on internalised significant early role models, people admired and preferred in favour of the self. In monomania, the ideal ego seeks to eradicate the other, the ego ideal. This is an act of envy, an attempt to kill and steal the others good because it represents what one should be or could have been. Such an act is never conscious. It is a passion of ignorance. The saga of Captain Ahab and his obsessive desire to obliterate the Great White Whale is illustrative of this dynamic. The yearning for absolutes is a hall-mark of monomania. Monomania is a passion of ignorance and is to be found in the boundary between love and hate. It is inherently evil because it excludes and destroys reality. In monomania, ignorance functions as a parochial and universalised concept of reality, marked by a certainty and rectitude which enables the harming of others with humanitarian conviction and moral purpose. The passion of ignorance is situated precisely between the subject and the fantasy of himself. The ideal ego wishes to eradicate the other, the ego ideal, What is at the heart all psychopathological behaviour is an incapacity to communicate with aspects of the self that have, as part of the self protective mechanism of the psyche, been obscured because they are too painful to be addressed. At the time of obfuscation, the only perceived path for survival has been the isolation and dissociation of something intrinsic. Analytical psychology recognizes that there are dark recesses people carry deep within in which lurk forbidden secrets which are treated as unapproachable. These dark places and forbidden secrets are not passive, they pulsate with the presence of malignant, carnivorous forces that reek of fear and anarchy. It is no accident that the developmental arm of analytical psychology is preoccupied to the determining effects of family history, for it is in the family setting that people experience the strongest and most primitive feelings, where relationships take on their most stark and forceful forms. A persons experience within the context of family has its genesis at a time before coping mechanisms are developed, before and independent sense of security and stability has had time to consolidate. Analytical psychology understands that the individual is deeply affected by the net of past experiences. They impact on the way in which present experiences are assimilated or repressed. They determine what may be allowed to come to consciousness and what must be assigned to the unconscious. The unconscious is occasioned by a number of factors, by repression, instinctual inheritance, social conditioning and repressed trauma. It can be personal or collective. In all its aspects, the unconscious represents that part of an individuals psychic existence that is, by multiple strategies, consigned to function without conscious control. Thus analytical psychology attempts inexorably to draw one deeper and deeper into a journey of confrontation with ones self. It calls on the individual to overcome his defences, to transcend the bounds of secure systems he has established to keep full and immediate experience at bay. In the tale of Moby Dick, Ahab misuses his power, disregards the safety of his crew and the profitability of the voyage, even forfeits his own life in order to avenge himself on the whale who robbed him of his leg. He does this, all to avoid a confrontation with himself and his own vulnerabilities. The Story: The tale of Moby Dick begins with the enigmatic words of the narrator, Having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen, and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp drizzly November in my soul; whenever I find myself involuntary pausing before coffin warehouses, and bringing up the rear of every funeral I meet, and especially whenever my hypos get such an upper hand of me that it requires a strong moral principle to prevent me from deliberately stepping onto the street and methodically knocking peoples hats off – then, I account it high time to get to see as soon as I can. (Melville 1992 p. 1) With these words Ishmael the story teller announces his intention to go to sea. He makes the journey to New Bedford, Massachusetts where he takes accommodation at a whalers inn, but as the inn is very full he finds himself sharing a bed with a stranger, Queequeg, a harpooner from the South Pacific. Queequeg is a cannibal from a South Sea Island. His strange physical form appears bizarre to Ishmael. He is covered in strange tattoos and apart from his alien appearance has strange habits and customs. Ishmael is terrified by the encounter but as time passes he is able to move beyond the outward exterior of Queequeg to understand that they are both men, and this strange creature from the South Seas, far from being a terrifying beast is human, and one with a particularly kind heart and generous spirit. The two men join forces and set out to seek work together as whalers. They secure work on the Pequod, a whaling vessel decked out with the bones and teeth of its victims, Peleg and Bildad, t he Pequods Quaker owners, tell them of their Captain, Ahab, who on his last voyage found that sperm whales are not defenceless victims, but creatures with teeth; Ahab has had his leg ripped from him by an enormous white whale. The hunted became the hunter and had struck back. The Pequod leaves the safety of the harbour in Nantucket on a bitterly cold Christmas Day, its crew a diverse mixture of nationalities and cultures. Days later, as the ship makes into warmer waters, Ahab finally appears on deck, balancing unsteadily on his prostheses carved from the jaw bone of a sperm whale. Ahabs intention: to pursue and kill Moby Dick, the great white whale who took his leg. To Ahab, this whale is the embodiment of evil. He must be killed and killed by Ahab. To this end he nails a gold doubloon to the mast and announces to all that the man who first sights Moby Dick will have the coin. Aboard one of these ships is a crazed prophet called Gabriel who predicts doom to all who pursue Moby Dick and the superstitious crew of the Pequod share their sea-stories of how those who hunted the whale met with ill fortune. It is not long before misfortune is seen and known by the crew. While butchering their catch, the harpooner Tashtego falls into the mouth of a dead whale which tears free of the Pequod and sinks. Queequeg dives after the drowning man, slashes into the slowly sinking head with his knife and frees the seaman. During another whale hunt, the black cabin boy Pip, jumps from a whaleboat and is left stranded at sea. He is rescued but the trauma renders him mentally disturbed. He is left mindless and uncanny, a prophetic jester onboard the ship. Still the hunt continues. One day, the Pequod encounters the whaler, the Samuel Enderby. Captain Boomer the skipper has lost an arm in a chance meeting with Moby Dick. As the two captains discuss the whale the contrast becomes evident. Boomer is happy simply to have survived his encounter, and he cannot understand Ahabs lust for vengeance. Queequeg becomes ill and asks the carpenter on board the Pequod to make him a coffin in preparation of his death but he does recover, and the coffin becomes the Pequods replacement life buoy. In expectation of finding Moby Dick, Ahab orders a harpoon to be forged and baptizes this harpoon with the blood of the Pequod harpooners, and his own. Although the Pequod is still hunting whales, it is the hunt for Moby Dick that always hangs over the life of the ship. Then, one day, Fedallah makes a prophesy regarding the death of Ahab. Ahab will see two hearses, the second made from American wood and he will be killed by hemp rope. To Ahab, this means he will not die at sea, for at sea there are no hangings and no hearses. A tropical storm encompasses the Pequod, illuminating it with electrical fire. To Ahab this is a sign of imminent confrontation and success. To Starbuck, the ships first mate, it is a bad omen and he contemplates murdering Ahab to end the obsession. The tempest ends, but then one of the sailors plummets from the ships masthead and drowns—a grave forewarning of what lies ahead. As Ahabs obsessive desire to find and destroy Moby Dick intensifies, the mad Pip becomes his constant companion. It is near the equator that Ahab expects to find Moby Dick, and it is here that the Pequod meets two whalers, the Rachel and the Delight; both have had recent fatal encounters with the Great Whale. The Captain of the Rachel pleads with Ahab to help him find his son, lost in the battle with Moby Dick, but Ahab has only one goal, to find and kill the whale. Days pass, and then, finally, Ahab sights Moby Dick. The harpoon boats are launched. Moby Dick rams Ahabs harpoon boat, destroying it but Ahab is saved by his crew. The next day, Moby Dick is sighted once more. The whale is harpooned but again, Moby dick strikes back and once again rams Ahabs boat. Fedallah is trapped in the harpoon line, is dragged overboard to his death. Starbuck saves his Captain by manoeuvring the Pequod between Ahab and the enraged beast. On the third day, the boats are launched once again and are sent after Moby Dick. The whale turns and attacks the boats, and they see that Fedallahs corpse is still lashed to the whale by the harpoon line. In the ensuing battle, Moby Dick rams the Pequod and she begins to sinks. Ahab, caught in a harpoon line, is hurled out of his whale boat to his death. The remaining whaleboats and crew are caught in the vortex of the sinking Pequod and dragged to their deaths. Ishmael, thrown from his boat at the beginning of the hunt, is the only man to survive. He floats, alone on Queequegs coffin, the only remaining flotsam from the wreckage, an isolated figure in a watery world. On the second day, a sail drew near, nearer, and picked me up at last. It was the devious-cruising Rachel that in her retracing search after her missing children, only found another orphan. (Melville 1992 p. 583) An Uncanny Tale In telling the story of Moby Dick, Melvilles narrator, Ishmael, engages in a process of repetition that brings the dead back to life. His narrator offers what appears to be a sober account of his real experience but in the recounting it is immediately evident that this experience is anything but commonplace. Melvilles combination of reality and the fantastic, the credible and the incredible, compel the reader to accept the narrative on its own terms. The tale confronts the reader with narratorial anxiety in both the telling of the tale and in the horror of its content. Melvilles narrative method exemplifies the de-familiarisation of the familiar, the domestication of terror that characterises the uncanny. Freud characterises the uncanny as that which arouses dread and horror; (Freud 1919 p. 339) it is that class of things which lead us back to what is known of the old and familiar. (Freud 1919 p.340) It is precarious, this combination of the familiar and the unfamiliar, where the opposites of the homely, customary and congenial also denote the secret that is concealed and kept from sight. (Freud 1919 p. 347) We believe we are at home in the immediate circle of beings. That which is, is familiar, reliable, ordinary. Nevertheless, the clearing is pervaded by a constant concealment in the double form of refusal and dissembling. At the bottom, the ordinary is not ordinary; it is extra-ordinary, uncanny. (Heidegger 1971 p. 53) Freud argues that one of the most anxiety-producing devices of the uncanny is the double. Freud considers the uncanniness of the double to be the effect of the egos projection of the object ‘outwardly as something foreign to itself. What is inside is experienced as coming from outside, (Freud 1919 p.358) split off and isolated through a process of repression and dissociation. The subject may identify with another to the extent that he is not sure which identity he is or he may substitute the extraneous self for his own. In the tale of Moby Dick it is this lack of difference which dominates Ahabs relationship to the whale. While Ahab may try to establish himself as a saviour, he too, deep down, is dangerous and destructive. It is this sameness that is problematic. When it becomes too obvious that the other is contained in the self, the other becomes an object for irrational hostility. In this dynamic, both the object (the whale) and the subject (Ahab) become doubles of each othe r in the psyche of the person who is enmeshed in the projection. The notion of the double always inspires the subject with dread and can be summed up as a dividing and interchanging of the ego. There is an inevitable cyclic repetition of the initial trauma. It is an inescapable loop until the doubling is concluded. Aboard ship, Ahab imposes an irresistible dictatorship in order to pursue his obsession. Moby Dick had injured him and that fact contravened Ahabs entire view of how the world should be ordered. The self-righteous, imposing Captain of the Pequod smoulders with the fires of hell. His all consuming pride and rage against the white whale blaze in the great speech before his crew where he proclaims, That inscrutable thing is chiefly what I hate; and be the white whale agent, or the white whale principal, I will wreak my hate upon him Talk to me not of blasphemy, man, Id strike the sun if it insulted me. (Melville 1992 p. 167) Ahab cannot see Moby Dick for what the great while whale is, because the reality of the animal is subsumed under the passion of Ahabs projection. But because this ‘relationship is skewed, the rest of Ahabs world suffers. Ahab has no connection to any other person or thing beyond the white whale. It is inevitable that the whale proves to be his nemesis; it is the whale that inflicts retribution and vengeance, not Ahab. The Orphan With the first sentence of Moby Dick we are confronted with the complex figure of Ishmael. The narrative begins with the words Call me Ishmael. The name has come to symbolize orphans and social outcasts but it has another aspect to it. The word literally means ‘God hears. Ishmael, according to the Hebrew Scriptures, was the first son of Abraham, born to a slave woman, Hagar because Abraham believed his wife Sarah to be infertile. But when God granted Sarah a son of her own, Ishmael and his mother were turned out of Abrahams household. Isaac inherited the birthright from Abraham. Ishmael was left to die under a bush in the wilderness by his distraught and starving mother. But in her distress she cried out and God heard her cry and the cry of the child. 15When the water in the skin was gone, she cast the child under one of the bushes. 16 And God heard the voice of the boy; and the angel of God called to Hagar from heaven, and said to her, What troubles you, Hagar? Do not be afraid; for God has heard the voice of the boy where he is. 18Come, lift up the boy and hold him fast with your hand, for I will make a great nation of him. 19Then God opened her eyes and she saw a well of water. She went, and filled the skin with water, and gave the boy a drink. 20God was with the boy, and he grew up; he lived in the wilderness, and became an expert with the bow. (Genesis 21: 15 – 20 The Bible NRSV 1988) From a Judeo-Christian perspective Ishmael was an outcast, the result of his fathers failure to believe and obey YHWHs promise to give him a son through his wife Sarah. As a consequence, Ishmael was the one repressed and rejected. But Ishmael was heard and taken care of by God. Throughout his life, Melville was preoccupied with the imagery of orphans and in particular with the character Ishmael. In Mardi he writes, But as sailors are mostly foundlings and castaways, and carry all their kith and kin in their arms and legs, there hardly ever appears any heir-at-law to claim their estate. (Melville 2004 p. 139) In Redburn, Melville writes, at last I have found myself a sort of Ishmael on the ship, without a single friend or companion. (Melville 1957 p. 60) In Pierre Melville writes, so that once more he might not feel himself driven out, an Ishmael into the desert, with no maternal Hagar to accompany him and comfort him. (Melville 1962 p. 125) Edward Edinger argues that Melville had an Ishmael complex which had two sources; personal life experience and identification with an archetypal image. (Edinger 1995 p. 23) The personal cause would be the insanity and death of his father and the ensuing hardships this caused. Melville was twelve and a half when his father died, close to the age of the biblical Ishmael who was thirteen. In addition, he was rejected by his mother, who favoured her first son. According to Arvin Newton, Melville, as an elderly man, once remarked to his niece that his mother had hated him. (Arvin 1950 p.30) The pain of his rejection is poignantly evident in the tale of Mob y Dick Most of the action is seen through the eyes of Ishmael. He will thus represent the authors ego (Edinger 1995 p. 24) Ishmael, the lone survivor of this misadventure is the story teller. At the outset of the story, Ishmael presents as one who is in pain and internal distress. He is impoverished, hostile, depressed and potentially suicidal. He heads for the sea, to Nantucket to find work on a whaler. In the past he has found sea voyages as a way of containing his internal conflict and pain. But before he can find a ship, his poverty forces him to find accommodation in a squalid inn, sharing a bed with a harpooner. When the harpooner enters the room in which Ishmael is sleeping he awakes in horror at the apparition before him, a man who appears to have just returned from the ministrations of a surgeon, his face covered with sticking plaster. But that is not the reality. The harpooner is a cannibal from the pacific, tattooed in his native islander tradition. He carries a tomahawk, a seal skin purse with the hair still attached and a shrunken head. The overall impression is alien, bizarre and terrifying to Ishmael. He watches from beneath the counterpane as the stranger uses the tomahawk as a pipe, then quietly turns into the bed with Ishmael. He is unaware of Ishmaels presence and reacts with instinctive aggression. In the fracas that follows Ishmael calls out in terror to the landlord for help. ‘Landlord! Watch! Coffin! Angels! Save me! (Melville 1992 p. 25) Peter Coffin, the landlord, soothes the moment. He introduces the men to each other and Ishmael is suddenly aware that this frightening apparition is a person, with a name. Queequeg is no longer a nameless savage, a cannibal with a shrunken head and a death dealing tomahawk. The tomahawk is also a peace pipe, and he shares the smoke from this unique instrument with Ishmael. The tomahawk-pipe has now become a symbol for both life and death, a symbol of reconciliation and peace. In this initial encounter with Queequeg a transformation is begun in Ishmael. In symbolic terms, he has embraced, in the symbolic form of Queequ eg, both death and life as indivisible partners, and when he wakes the following morning he begins to see the world from a different perspective. Ishmael understands the mixture of life and death that Queequegs tomahawk-come-pipe represents, and realizes, at least in that moment, that such experience can lead to renewal. The Obsession, Ahab demonstrates the dangers of an all consuming focus; the object of his obsession is the solitary great white whale, nicknamed Moby-Dick by the whalers. On his previous voyage, Ahab had his leg ripped off by Moby-Dick, and at the Ishmaels story begins, he has sworn to take his vengeance by hunting down and killing the great whale. It never occurs to Ahab that he lost his leg while trying to take the whales life and while in the process of killing countless other whales for monetary gain. Ahabs obsession has more to do with what Moby Dick represents than with the great whale himself. He saw Moby Dick as the prey and could not cope with the idea that he was not omnipotent in this relationship, that he was outdone by another creature. As Ahab reasons in a fiery speech to the crew of the Pequod, all visible objects are like pasteboard masks that hide some unknown but still reasoning thing. Ahab hates that inscrutable thing that hides behind the mask of appearance. The only way to figh t against it, he proclaims is to strike through the mask! Moby Dick, as a mysterious force of nature, represents the most outrageous, malevolent aspect of natures mask. To kill it, in the mind of Ahab, is to reach for and seize the unknowable truth that is hidden from all people. He cannot conceive of the concept that there is a simpler reality; he is not the master of all other species. He sees his failure to be able to take life at will as a reversal of his role as the predator and therefore can only conceive of himself now as the one preyed upon. This he cannot accept and so is driven to destroy that which in his mind denies his appropriated reality. Ahabs insane obsession and hunt for Moby Dick describes the consequences of viewing the world as a mask that hides unknowable truth. It is Ahabs frustration with the limits of human knowledge and power that lead him to reject both science and logic and instead embrace violence and the dark magic of Fedallah his demonic advisor. Like Christopher Marlowes Doctor Faustus, he has made a pact with the devil. Thinking he is immortal, Ahab attacks Moby Dick, striking at the mask of appearance that supposedly hides ultimate truth. His devotion to the idea that truth exists behind or beyond the physical world forces him to destroy himself in the attempt to reach it. Ahab can only relinquish his illusion by dying, or killing the object upon which his illusion has rested. Ahabs ideal ego, that is the fantasy he has of himself as one who is in control and omnipotent, is in the process of destroying his ego ideal, that is, his potential as man, captain and hunter. He believes he must eradicate the evil of the whale, but in reality, because he is caught in this doubling with the whale, he is intent on murdering himself. His passion of ignorance has overwhelmed his reason, blinded him to his own creative potential. All that is left is the passion and it knows no reason People thus reduced inflict the traumatic pain of their void on others. The evil they engender is not just about destruction but emerges from the chaotic principle of pure drive which has loss at its centre and therefore must occasion more loss. The important point is not that the symbolism of what Ahab lost, but the symbolism of the loss itself. Revenge is only sought when there has been a great loss, a loss that is seen to embody an injustice, and an injustice imposed by an enemy over whom victory should have been assured. Ahab lost his leg to a beast, an inferior creature. His quest for revenge could just as easily have been instituted by the loss of an arm, a child, or a father. The loss implies inferiority to a foe that is deemed to be unworthy of such a victory. Revenge becomes obsession because only with revenge can the world become again that which supports the adopted perception of order. For Ahab, revenge can only be perceived as the re-imposition of superiority and ascenda ncy. It is the adoption of this delusional sense of what order is, that gives rise to the monomania that attends a thirst for revenge. Ahabs loss of limb is immediate and it is personal but despite losing a leg he can still walk, he can still captain, he can still go on a whaleboat and harpoon. It is the greater loss which is the mechanism standing behind the driving revenge and his monomaniacal pursuit of it. As if to be human is forever to be prey to turning your corner of the human race, hence perhaps all of it, into some new species of the genus of humanity, for the better or for the worse. (Cavell 1998 p.154) For this reason Ahab must inflate the object of his revenge and recreate it as something larger in context. To accomplish this, Ahab must imbue Moby Dick massive power, power beyond comprehension. By placing the capacity of evil upon the whale, Ahab can fool himself into thinking that Moby Dick is a greater being than he really is and therefore his own loss appears greater than it really is. For Ahab, the delusion attendant to the psychosis of revenge suppresses the reality that he is merely a man bent on attempting to restore his lost sense of superiority. This reality is replaced with a grandiose vision of one who is a redeemer for humanity. But it is not humanity Ahab is attempting to redeem; it is his own inflated ego whose ascendancy has been usurped. By imputing to Moby-Dick a demonic power he does not really possess Ahab, blinds himself to any reality of what Moby Dick actually is, to any real strength and intelligence that the whale possesses. This blindness springs not from mere ignorance, but from a consciously willed ignorance, from the desire not to know, from the ambition not to understand. In order to sustain his delusional conception of himself, he must appoint concomitant distortion to the world which surrounds him, and particularly to the object of his obsession. Ahab desperately wants Moby Dick to be inscrutable. He wants him to be a thing that is incapable of being understood, because that enables him to categorize his nemesis as sheer evil. Therefore he is compelled to refuse any effort at understanding and it is this iron-willed ambition to remain ignorant, to label this thing as ultimate evil that generates the ironic twist whereby Ahab himself becomes the ultimate danger, the evil which he imagines he is seeking to eradicate. It is Ahab who causes the complete destruction of all that surrounds him. Evil and the Passion of Ignorance Ahab desires to attach to Moby Dick all the evil that exists in the world. Moby Dick is a creation of his infantile envious omnipotent sadistic phantasies. Ahab himself identifies the ultimately personal source of what he sees as a universal evil when he says, It was Moby-Dick that dismasted me; Moby-Dick that brought me to this dead stump I stand on now it was that accursed white whale that razeed me; made a poor pegging lubber of me for ever and a day! (Melville 1992 p.166). Moby Dick took away Ahabs ability to literally stand on his own two feet. The loss of his leg can also be seen as a symbolic emasculation and that symbolism is made all the more apparent by the fact that Ahabs quest is for a sperm whale. Moby-Dick contains sperm; Ahab does not. In his quest for revenge, all of Ahabs creative potential is voided because he cannot accept that there is a reality that is greater and stronger than himself. It is in the attempt to deny the reality and existence of that which surpasses him that he divorces himself from his own creative life potential. Captain Ahab is both the psychotic parent in command of the infant and the infant overwhelmed with his own omnipotent phantasy. In the tale of Moby Dick, Herman Melville created a character whose motives of vengeance typify the behaviour of a psychotic person. Captain Ahab, in his delusion, could not allow Moby Dick to share the same space in his paranoid and infantile world. Ahab experienced the loss of his leg as a lethal wound that was potentially reparable only by a copy-cat act of vengeance taken upon the alleged guilty Moby Dick. That intangible malignity which has been there from the beginning Ahab did not fall down and worship it, but deliriously transferring its idea to the abhorred white whale, he pitted himself, all mutilated, against it He piled upon the whales hump the sum of all the general rage and hate felt by his whole race from Adam down; and then as if his chest had been a mortar, he burst his hot hearts shell upon. (Melville 1991 p. 187) We Cannibals must help these poor Christians. The relationship between Ishmael and Queequeg is the antithesis of the relationship between Ahab and Moby Dick. Ishmael and Queequeg develop a relationship that is based on the recognition of their dissimilarity and separateness. Ahab and Moby Dick are joined together by Ahabs projection and obsession. With Queequeg and Ishmael, the difference is something to be explored. The relationship between Queequeg and Ishmael has a germ of creativity; that between Ahab and Moby Dick is founded on destruction and butchery. The initial encounter between Queequeg and Ishmael provokes both terror and aggression. The landlord intervenes, calming the situation and bringing them both to an awareness of the necessity of living alongside of each other. This generates a realisation in both Ishmael and Queequeg that they are both men despite the visual and cultural dissimilarities. As time passes and conversation is enjoined, they begin to comprehend both their differences and their commonly shared objectives. According to the customs of Queequegs home, Ishmael and Queequeg are married after a social smoke out of the tomahawk pipe. Queequeg gives Ishmael half of his belongings, and the two men continue to share a bed. The tattooed body of Queequeg is much like the patchwork quilt that covers them both as they sleep. These tattoos are a written narrative of the universe but no one, save the prophet who inscribed them can decipher their meaning, not even Queequeg. And this tattooing had been the work of a departed prophet and seer of his island, who, by those hieroglyphic marks, had written out on his body a complete theory of the heavens and the earth, and a mystical treatise on the art of attaining truth; so that Queequeg in his own proper person was a riddle to unfold; a wondrous work in one volume; but whose mysteries not even himself could read, though his own live heart beat against them; and these mysteries were therefore destined in the end to moulder away with the living parchment whereon they were inscribed, and so be unsolved to the last.(Melville 1992 p. 491) For Ishmael, Queequeg represents the dangerous and the forbidden for which Ishmael secretly yearns. Queequeg also symbolizes the explorative and adventurous aspect of Ishmaels personality. Once Ishmael recognizes this, his fears lessen and he embraces the savage into his life. Ishmaels initial hostility to Queequeg is a projection of the suppression of a part of his own personality. Exotic and unique, Queequeg represents the unknown. Ishmael is able to recognise this, to admit it, and to realise that his fear is due to ignorance. With this awareness comes the further realisation that he, Ishmael, must travel to the sea in order to gain life experience by exploring and embracing the unknown. The friendship between the two men, although troubled by prejudice and slow to develop into a full understanding of one anothers character, is solidified with their ‘marriage contract. They effectively become one person, illustrating the full integration of Queequegs otherness into Ishmaels personality. At the end of the book, Ishmael survives because of Queequegs coffin. In accordance with their marriage contract, Queequeg offers Ishmael protection from the sea-hawks, sharks and sea in the form of his coffin. In turn, Ishmael carries on Queequegs spirit, carved into the wood of the coffin. Queequeg represents that part of Ishmael which

Wednesday, October 2, 2019

The Tragedy of Domestic Violence :: Violence Against Women Essays

Domestic Violence towards women is a problem that is often overlooked by Society. Violence is defined by the Webster's Dictionary (p.755) as: 1. Physical force employed so as to damage or injure. 2. As an instance of violent action. If this is the case than why is it that so many women are beaten by loved ones each year and little or nothing is done to correct this violent and hostile situation? In this paper I will attempt to answer this question along will a slue of others which place women in these war zones each day. "The battered women is pictured by most people as a small, fragile, haggard person who might once have been pretty. She has several small children, no job skills, and is economically dependent on her husband. It is frequently assumed that she is poor and from a minority group. She is accustomed to living in violence, and her fearfulness and passivity are emphasized above all. Although some battered women do fit this description, research proves it to be false stereotype.''(Walker p.18) In fact most batte red women have highly lucrative jobs such as doctors or lawyers, Corporation executives and nurses. Most are heavy set women whose assets are controlled by there husbands and cannot defend themselves physically. Battered women are found in all racial, rel igious and ethical backgrounds as well as age groups and educational levels. ''Who are battered women? If you are a women, there is a 50 percent chance it could be you!''(Walker p.19) Statistical data on battered women is difficult to find because most records are buried in medical records, domestic disturbance calls to the police or the records of social service agencies. During my research I found that characteristics in numerous c ategories for both the batterer and battered were the same. Here is a list of those categories that were the same or in a similar fashion the same for both individuals. Commonly shared characteristics between Battered and Batterer. 1. Has low self-esteem. 2. Believes all myths about battering relationships. 3. Is a traditionalist about the home, strongly believes in family unity and his or her roles in the family unit. As with the women all racial, religious, educational levels equally represent the men, cultures socioeconomic groups. "Batterers typically deny that they have a problem, although they are aware of it; and they become enraged if their women should reveal t he true situation." (Walker p.36) "Researchers Eisenberg and Micklow found 90 percent of the batterers in their study had been in the military. Twenty five percent received dishonorable discharges.

Bram Stokers Dracula: A Struggle to Maintain Victorian Upper and Middl

The Victorian men and women conveyed in Bram Stoker's Dracula are pure and virtuous members of the upper and middle class. However, hiding behind this composed and civilized conception of England lies a dark and turbulent underbelly. This underbelly is the lumpenproletariat, whom Karl Marx defined as "the lowest and most degraded section of the proletariat; the ‘down and outs’ who make no contribution to the workers cause". Victorian culture discriminated against these vagrants, who were seen not only as shiftless and immoral, but dangerous as well. Sex was taboo and purity was held sacred to the Victorian middle and upper class, but prostitution and sexually transmitted diseases ran rampant among the lumpenproletariat. The rich strive to be pious and good, but consider those of lower social standing to be less than human. The reaction of the characters in Dracula to the evil of the vampires can be likened to the Victorian conception of the lower classes. They were seen as a hedonistic but powerful force, with the collective capacity to end the affluent citizen's way of life. In this sense, the novel can be viewed as a struggle to maintain upper-class Victorian traditions against the traditions of the lower class. This paper will examine the similarities between the vampires and the perception of the lower classes in regards to superstition, sexuality, inequality and the "preying" of the lumpenproletariat on the respectable middle-class. It will also examine the signs evident in the novel of the Victorian mindset. Dracula is an aristocrat with a castle and noble title, but in reality he is more associated with the lumpen. While trapped in Dracula's castle early in the novel, Jonathan discovers that he has no hired help, has been performing menial tasks such as bed-making and table setting in secret, and even acting as the horse-carriage driver. He slumbers in dirt, much like the homeless, and is nomadic for most of the book. The Count associates himself most clearly with the lumpenproletariat in the form of a horde of gypsies who "attach themselves as a rule to some great noble"(49). They even do his bidding: "The [gypsies] have given me these"(50) Dracula says of Jonathan's ill-fated letters. Dracula attempts to hide his lumpen nature and exude an aristocra... ... "stagnant and foul" air (111). Vampires and the poor are projected as animal-like, and both prey on others. Since the vampires in Dracula can be seen as a representation of the lower class, we can draw some assumptions. If one draws this parallel to its logical conclusion, the battle with the vampires, it can be seen that in the end the lower class and their perceived values are soundly defeated by the righteous ruling class, and the threat is expelled from Britain. However, this ruling class does not come out of the battle unscathed, and the Victorian tradition is mostly lost. By reading Dracula as a battle to maintain Victorian tradition, one can more fully understand the actions of the characters. Their prudishness, Seward's scientific adherence to logic, and the idea of the fall from grace take on a new meaning in the light of such an understanding. Just as the characters in Dracula cling to their humanity, so too do they cling to their upper-class values in the face of the lower class. Works Cited Stoker, Bram. Dracula. England: Pengiun, 2003. defn:"Lumpenproletariat". Oxford English Dictionary. http://dictionary.oed.com

Tuesday, October 1, 2019

Right to Check Employees’ Backgrounds

In my opinion, employers should have the right to check applicants’ backgrounds whether or not suspicion of misbehavior, security threats, credit histories, driving offenses etcetera exist. This will ensure employers or companies that they won’t have any ‘problematic employees’ in within the organization. However, even if this should be a right held by the employers, companies, organizations, etcetera, the law states that the they â€Å"do not have unlimited rights to dig into an applicant’s background and personal life† (US Small Business Administration, 2008, n. . ). This means that there are certain ‘checks’ that these employers, companies, organizations, etcetera cannot pursue simply because it is forbidden by the law and they can be charged in court if they push through with unlimited ‘checks’ (US Small Business Administration, 2008, n. p. ). The following are the background checks that may be done including the limitations set by the law: First is with regards to â€Å"credit reports† (US Small Business Administration, 2008, n. . ). The restriction set by the law for this is known as â€Å"the Fair Credit Reporting Act† wherein employers, companies, organizations, etcetera are obliged to obtain a formal â€Å"written consent† coming from the employee/applicant before the former could see the latter’s â€Å"credit report† (US Small Business Administration, 2008, n. p. ). The second entails â€Å"criminal records† (US Small Business Administration, 2008, n. p. ). Employers, organizations, companies, etcetera may look into an applicant’s criminal records but this should be done through their lawyer or they should consult the â€Å"Federal Bureau of Investigation† especially if they need an â€Å"employee background investigation† to be carried out or if they wanted to make sure that the applicant has not been involved in violation of the following: â€Å"antitrust laws, trade secret laws, intellectual property laws, economic sabotage, as well as, anti-terrorism laws† (US Small Business Administration, 2008, n. p. ). The third involves â€Å"lie detector tests† (US Small Business Administration, 2008, n. . ). The use of the aforementioned may be allowed only by employers whose businesses involve: â€Å"armored car services, alarm/guard services, pharmaceutical manufacturing & distribution, etc† (US Small Business Administration, 2008, n. p. ). Employers, therefore cannot just make an employee/applicant undergo â€Å"lie detector tests† because the latter is protected by the â€Å"Employee Polygraph Protection Act† (US Small Business Administration, 2008, n. p. ). The fourth is with regards to ‘health check’ (US Small Business Administration, 2008, n. p. ). Here, an employer, organization, company, etcetera can always ask the health expert or the health institution if an employee can carry out a certain task; however one cannot ask for the entire medical record of an employee or applicant because doing so is a violation of the â€Å"Americans with Disabilities Act† (US Small Business Administration, 2008, n. p. ). In addition to that, health institutions would not give in to such an employer’s request because â€Å"confidentiality of medical records† is a part of the â€Å"American Medical Association’s Code of Ethics†; legal issues will emerge if they violate this (US Small Business Administration, 2008, n. . ). Last but not least pertains to the school records of an applicant (US Small Business Administration, 2008, n. p. ). Fortunately, these may be scrutinized by employers however they should be able to get the applicant’s approval before they carry that out (US Small Business Administration, 2008, n. p. ). Applicants are protected because of the â€Å"Family Educational Rights and Privacy Act† (US Small Business Administration, 2008, n. p. ). Employers then should have the right to check on applicants’ backgrounds but only to a certain extent and only those which the law allows.